The Bicycle Thief

The Bicycle Thief & international ampere;#9; other bewitching example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and direct by Vittorio De Sica. The narrative of this blast unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their chase for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services. In the commencement scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse female horse (Lianalla Carell) on his way back home.

We see the "men" reason at the employment "office" as the "women" argue astir(predicate) the shortage of water. Although the directors pessimism drives the plot, it is ultimately the clash with human optimism which gives this film emotional power. 	Antonios wise job can choose his family new hopes and happiness, which are drastically destroyed when his bi...If you want to pull back a full essay, order it on our website: BestEssayCheap.com

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